{"id":1974,"date":"2020-07-04T21:39:00","date_gmt":"2020-07-04T21:39:00","guid":{"rendered":"http:\/\/www.sebpalmer.com\/blog\/?p=1974"},"modified":"2024-02-08T08:13:25","modified_gmt":"2024-02-08T08:13:25","slug":"film-review-the-fountain-2006","status":"publish","type":"post","link":"http:\/\/www.sebpalmer.com\/blog\/?p=1974","title":{"rendered":"FiLM REViEW: The Fountain, 2006"},"content":{"rendered":"<p>For the most part I prefer to post on stuff I love, and keep things positive. That said, I&#8217;ll not shy away from posting critical stuff, if I feel like it. Teresa just watched <em>The Fountain <\/em>on Amazon Prime, meaning I was more or less forced to watch it. Anyhoo&#8230; so, here goes&#8230;<\/p>\n<p><strong>The Fountain<\/strong><\/p>\n<p>Eugh&#8230; just dreadful.<\/p>\n<p>Hugh Jackman and Rachel Weisz embody the vacuity and self-centredness of modern western humanity. And Aranofsky weaves a web of portentousness around them based on aesthetics, emotion and pseudo-mysticism, all of which has the intellectual integrity of a micron thin wafer of, well&#8230; nothingness.<\/p>\n<p>Like so much contemporary culture, this aspires and doubtless believes itself&nbsp;to be deep, but winds up being all about surfaces. The two central characters &#8211; let&#8217;s just call them Izzy and Tom, to keep the overblown pseudo-complexity at bay &#8211; are petulantly flighty, and I don&#8217;t believe in either of them, for even a nanosecond.<\/p>\n<p>There&#8217;s really only one character, Jackman&#8217;s. Everyone else is just an adjunct to his egotism. And all the settings are triumphs of form over anything and everything else. 96 minutes of overblown set-dressing!*<\/p>\n<p>The only levels on which this film might conceivably work are, one, aesthetically &#8211; on the surface level (and to me it&#8217;s all surface) &#8211; and two, poetically or metaphorically. It fails on the first as I don&#8217;t like the aesthetics, as impressively produced as they may be. As for the second? For me, ideas such as are obviously signposted here &#8211; life and death, love and loss, etc &#8211; need to be couched in terms I can relate to, or that engage me. And in these respects this film fails totally and utterly, personally speaking.<\/p>\n<p>I loathe the narcissistically self-involved &#8216;characters&#8217;, Tom in particular; I&#8217;m not a fan of pseudo-religious cod-mysticism. I don&#8217;t even like the much vaunted music, which attempts to give the onscreen action a gravitas it never attains. Weisz is really just a cipher, whilst Jackman&#8217;s Tom is a bizarre Richard Madeley lookalike himbo, whose solipsistic &#8216;love&#8217; is nowt more than a pretext for throwing tantrums.<\/p>\n<p>Just as I was pleased to see the &#8216;characters&#8217; in Ridley Scott&#8217;s similarly awful <em>Prometheus<\/em> knocked off, it was a relief when Tommy, having indulged in yogic flight, walking on water (groan), and finally gorged on the white sap of the father tree &#8211; truly symbolism to gag on &#8211; got composted.<\/p>\n<p>Awful drivel, perfectly suited to our shallow self-regarding times.<\/p>\n<p>*If this film were to be nominated for any awards, it ought to be &#8216;interior design&#8217;. Mind you, I wouldn&#8217;t hire Aranofsky or any of his hirelings to decorate <em>our<\/em> home.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the most part I prefer to post on stuff I love, and keep things positive. That said, I&#8217;ll not shy away from posting critical stuff, if I feel like it. Teresa just watched The Fountain on Amazon Prime, meaning I was more or less forced to watch it. Anyhoo&#8230; so, here goes&#8230; The Fountain &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.sebpalmer.com\/blog\/?p=1974\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;FiLM REViEW: The Fountain, 2006&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paGwUa-vQ","_links":{"self":[{"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1974"}],"collection":[{"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1974"}],"version-history":[{"count":4,"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1974\/revisions"}],"predecessor-version":[{"id":11326,"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1974\/revisions\/11326"}],"wp:attachment":[{"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1974"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.sebpalmer.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}