renaissance man
I’m trying out a tiny little MP3 player, as part of my ongoing participation in the Amazon Vine product review program. It’s an X16, and at present I’m struggling to learn how best to import music such that I can browse it easily.
I had one before, and couldn’t get the thing to work at all! So they – the supplier/manufacturer – sent me another. Both are now working. But at present I can only dump MP3s on the SD card, meaning they’re not grouped by album, or artist, or anything.
I’m trying out a tiny little MP3 player, as part of my ongoing participation in the Amazon Vine product review program. It’s an X16, and at present I’m struggling to learn how best to import music such that I can browse it easily.
I had one before, and couldn’t get the thing to work at all! So they – the supplier/manufacturer – sent me another. Both are now working. But at present I can only dump MP3s on the SD card, meaning they’re not grouped by album, or artist, or anything.
It’s 4.42am whenI start typing this. Just awakened from crazy kaleidoscopic maelstrom of dreams! Votz it all abite, Ulfric!?
Some of the dream stuff is simple and clear: wanting family – parents specifically – to come to one’s aid in difficult times. But the ‘nuclear family’ as it once was went up in a toxic mushroom cloud decades ago. And the radioactive fallout is still blighting life!
Anyway, now that conscious modes have shifted, it’s a quick trip doon the wooden hill, and across the plane of Liv Ingroom, to pee, and to wonder where Chester, our cat is. Hope he’s ok?
After weeks of drought and many days of crazy heatwave, the weather app – and various intrusive newsfeeds – are warning of heavy rain, thunder, and poss’ flash floods. With the ground baked solid, rain water might just run off… crazy times!
I wonder if, re the precipitation, would it be wise, and a potential contraceptive precaution, or solution, to take a fork to the garden?
Teresa wants us to get Chester a neck tag. And it might be wise (if that horse hasn’t already bolted?). Has he also got fleas? Found a solitary flea yesterday, in the home.
Crazy dreams earlier! Fading fast. Got the fans back on. Need them on almost constantly! It’s still soo goddamn hot, close and muggy!
This weird, weird part of the night biz’, puts me in mind to read the recently acquired Why We Sleep (or, sometimes more to the point, why we don’t sleep!). Must read!
Teresa’s back to work today. And she’s going to have to travel by bus, as she can’t afford the train indeed, despite me being stony broke, I’ve had to loan her money for travel (a normal monthly occurrence!). That means more time on pubic transport.
We really ought to nationalise so much of our infrastructure; transport, utilities. Capitalism just ain’t working! Except for the billionaires.
Teresa’s doing like I did… off for a middle of the night pee! She just got back into bed, and… Boom!!! Her alarm just went! It’s now 5.10 am. That’s a bit bloody early!!!
I’ve glistened to this album (it’s like normal listening, only better) several times a day since discovering it. And when I bought the CD, probably about a week ago now, the Amazon purchase came with a free download/stream option.
But there’s a sense of satisfaction, for me at any rate, in owning a hard copy of the music I love. For one thing there’s all the packaging, and artwork, and sometimes liner notes. Anyway, it’s off to bed(fordshire) with a decent pair of headphones to bathe in the rainbow…
As you can see, having the physical object to enjoy, as well as the sounds – these latter being the main attraction, naturally – is quite something.
More musical fabulousness from Japan’s Masayoshi Takanaka. Track one, Oh Tengo Suerte, is also the first track on All Of Me. A number I love so much I want to get both of those albums!
Well… Holy guacamole! Just listened to the entire album, in one pass. And my goodness, it’s amazing! First off the range is very wide. It’s all tinged with a ‘70s fusion vibe. And being predominantly instrumental, there’s a definite jazz aspect.
But it’s also all over the map in many ways. Perhaps the single best example of this is the pretty bonkers final piece, which starts and finishes with layered vocal harmonies and barely audible acoustic guitar, before barreling off into a Japanese prog-fusion wonderland both very like some kind of CTI thing, but also unlike anything else.
The musicianship is absolutely stunning. Unsurprisingly Takanaka is the star, on prominent display here. But, everything, the percussion, the drumming, the keys (other stuff: vocals, strings, horn solos, whatever), and very notably the bass, are all stunning.
Sometimes a single track is so good it’ll make a whole album essential for me, and this is a case in point. The opening number on this 1979 compilation, Oh Tengo Suerte, is just sooo awesomely good, I simply must either track this album down on in some form, or find whatever album the track itself comes from. It’s my idea of musical perfection.
Ok, so having listened to more Takanaka, I’ve discovered Oh Tengo Suerte is the opening number on Takanaka’s 1976 solo debut recording, Seychelles. Which, it transpires, is an absolutely superb album. Def’ one for the collection!
Partly recorded in Brazil, Takanaka’s fourth album has lots of names I don’t recognise, and a few I do: Abe Laboriel, James Gadson, Jeff Porcaro, Greg Phillinganes and Paulinho da Costa amongst others.
Not listened to this one much yet. Just had a quick skip through to get a flavour. Very Brasilian… but I’ll return to it properly in few coarse!
I’ve always loved discovering new music. New to me, that is. I don’t care how old it is. And often I find I like older stuff better than contemporary stuff anyway.
Well, today is a blessed day, that way, as I’ve just stumbled upon the amazing 1981 album Rainbow Goblins, by Japanese guitarist Masayoshi Takanaka.
I only found out about it today. And after listening to a few tracks on YouTube, I decided I had to buy the CD. I’ve ordered a copy via Amazon, and it was a bit pricey for a skint skinflint like me, (Jap import, over £20!). But it’s totally stolen my heart.
Indeed, from the little else of Takanaka’s stuff I’ve heard since discovering this, I think I’ll be buying more of his music. But I’ll get to that later. For now I just want to testify to how much I dig this incredible album.
Apparently the album is a concept double album – very prog! – based upon a Children’s’s story, about seven ‘rainbow goblins’. The story, by an Italian (poss a Count!?), Ul de Rico, is where the cover art comes from. I’ve ordered a copy of that as well!
I have to give an honourable mention to arranger Katsu Hoshi, for the strings, and – presumably? – the incredible orchestral Prologue, which sets up this dreamy album perfectly. Is the album credit, in the name ‘Katz’ Hoshi, a sly reference to Steely Dan’s Gary Katz, perhaps?
There’s even an English language spoken narration, by a chap called Roy Garner. For a Brit it’s particularly nice to hear an English narration from beyond these shores that isn’t an American or transatlantic accent. I feel right at home in rainbow goblin land!
The music has a childish and delightfully goofy innocence at times. But as it’s all played by top notch sessionistas and jazz fusion musos, it also has a beautiful late 1970s – think Creed Taylor’s CTI, but filtered through a Japanese Teletubbies filter! – sophistication.
Man, I totally dig it! The music itself runs an appropriately broad and colourful gamut, from the orchestral opening, to the twinkling ambience of Rising Arch, or the hard jazz funk of Seven Goblins or Plumed Bird to the rockier edge of Thunderstorm, or the totally out there fusion of tracks like Rainbow Paradise, which morphs through several genres, and yet defies any single categorisation, this album is quite a trip!
Regarding the last category – ‘all over the map’ – after the nutty ‘goberins, goberins, goberins, goberins…’ vocal intro of Seven Goblins, The Sunset Valley is almost like the kind of music and melodies you might imagine hearing piped into a Japanese shopping mall in the ‘80s! Elsewhere there’s a bit of reggae (Just Chuckle), some Latin vibes… and the whole lot is sprinkled with disco fairy dust, from occasional grooves to the vocoder’d vocals.
As I’ve remarked already… simply astonishing!
Some of Takanaka’s ‘70s recordings feature US players, like Abe Laboriel, Harvey Mason and even the Tower of Power horns. But this amazing album is, I believe, an entirely Japanese affair. And these Kitty cats sure can play!
What a truly sublime and astonishing recording. I’ve definitely found a new love. Oh, and the album artwork is perfect! And how cute is that Kitty record label logo!? I can see that I need to dive deep down the J-Jazz-Fusion wormhole!
Takanaka produced a ‘prequel’ White Goblin album, many years later. Might that be any good? I have no idea! But having listened to some stuff from his earlier albums, I’m pretty sure that I’ll really dig them, so his Seychelles, Brazilian Skies, and the sublimely titled An Insatiable High all beckon, as does his 1979 compilation album All Of Me.
‘Alcohol is God’s apology for making us self-aware’
I was wondering whether to bother with this or not. I’d enjoyed May’s Our Man In Japan, so I figured, why ever not? And I’m glad I did. It’s great!
May looks fantastic! Has he lost a bit of weight? His current hair and beard combo is looking better than usual, with a touch of Lord Percy, aka Robert Plant. And he seems happy in himself. All this may sound a bit Hello! magazine. But I think it helps explain May’s enduring (poss’ even expanding?) appeal.
Tragically, watching this only accentuates how bone-crunchingly stupid Brexit is. It’s now much harder for ordinary folk like us to visit places such as those James enthusiastically explores. God how I hate Tories and their hordes of zombie enablers.
Over the last day or three I found myself having to repair the door to one of our sheds. This door – a Freecycle freebie of many moons past – was old and knackered when we got it. And it’s subsequently fallen apart a couple of times.
About four or five days ago, whilst putting stuff in said shed, this same door totally fell apart on me… again! Wish I’d have gotten pics! It was really something.
So I removed it, with a view to repairing or replacing it. I prob’ oughta just replace it. But lack of funds means fixing is the more immediate viable option.
Last time I fixed it simply by gluing the old joints back together, using clamps and straps, in the hope it’d all bind up ok. And it did, for a year or more.
But lately it’s been falling apart for what is poss’ the third time. And this time the original joints are all snapped off. So when fixing it on this occasion, I’ve added wooden patches, glued ‘n’ screwed, for belt ‘n’ braces double-action protection!
Sadly the door has gone pretty severely askew, and sagged, such that even after re-assembly and patching up, it’s not the greatest fit for the doorway of this shed. I had to both raise the hinges a wee bit, and cut into the lower door frame.
And there are still ruddy great gaps, one (triangular!), at the top, and the other, running all the way down the right side on the door frame, fairly parallel. I’ll be adding timber to address both!
But yesterday I simply re-hung the door. Ha… simply!? I had to cut, chisel and saw away some of the basal frame, to allow the door to swing in and out! And I had to move it all up about 15mm as well, and re-drill and re-mount the hinges.
The door is so skewed it’s almost unreal! I had tried to address this when I first attempted to ‘fix’ this door, ages ago. But it seems that’s a losing battle, so I eventually just went with it as it ‘wanted’ to be.
Once re-hung, I moved the latch. I have plans to add wood to the top gap, and down the entire right side of the door frame, to finish this job. Oh, and prob a new cost of paint.
The job that occupied me most after the shed door was putting up four shelving brackets. I got these quite some time back, off the Amazon Vine program. They are black, metal, simple L-shapes, with pairs of small curled hooks at the base.
The biggest arse-ache when mounting brackets to walls is always drilling the holes and achieving decent fixtures. It seems the only really simple material would be wood. But 99% of the time one has to contend with either plasterboard (aka dry-wall) or plaster, bricks, etc.
On this occasion it was the latter. Plaster over bricks. Necessitating the use of my Hitachi hammer-drill with masonry drill bits. The biggest issue with this scenario is the drill bit wandering, and/or the holes winding up too large.
I’ve taken to remedying this by filling the drilled holes with Polyfilla, pushing wall-plugs in, and letting that go off for about 24 hours. I did the drilling and filling yesterday. So today I’ll be mounting the brackets and screwing them in. I do hope this works!?
The lower of the two shelves is cut, notched, and sanded down now. And already sat in its allotted position. I used an old shelf I got via Freecycle years ago. I wish I’d have kept more of these shelves. I chopped a couple up for kindling/firewood!
I was attempting to shape some boards for the second shelf, yesterday. But the timber is so warped, cupped, twisted, etc, I’m not sure if it’s too much to remedy? Still, the work gave me a chance to use my planes, esp’ my Paul Seller’s style scrub plane. And it was a bit of a work-out. Prob’ good exercise!?