ART/HEALTH & WELLBEING: Home Alone, Bed- & Book-bound

A fabulous book.

Today I’m mostly confined to bed. By my own decree. Teresa’s at work. And I am on Easter break. Although it may be a bigger hiatus? That’s partly why I’m in bed!

I woke when Teresa got up, at 5.30am (mad!). But most of the time between about 9am and 3pm I’ve been in a 50/50 mix of resting/dozing, and outright sleeping. Snooker, with Kieran Wilson thrashing Ali Carter, on the Tour Championship, is helping on all fronts with rest and sleep!

An ornery mule, with an artist’s soul.

But around 2pm, after a second long chat with the alphabet soup brigade (the bouillabaisse of acronyms for mental-health organisations), I felt I needed an injection of culture and inspiration. So I hoyked a few art books off the shelves.

Angst meets beauty, in mixed media on canvas.

Having resumed a long derelict interest in making art, I thought I’d also resume the act of feeding on the soul food that art can be. Hence getting these tomes offa the shelves. Turner and The Sea, Guston, and de Kooning. Endless hours of fun and nourishment!

Not so eyebrow, n’est ce pas!?

And to keep my furrowed brows at the correct elevation, something a bit ‘Felix’ lighter!

No-brow? Love the Tintin style cover!

And of course, Viz. Thanks to the Viz Team I nearly died laughing last night.

ART: Another Old Series…

This series, in one pic.

This little series of miniature abstracts was born of spell of mental ill health. I hate that phrase, and I don’t think it really accurately captures what I was going through. But anyway, whatevs, as they say these days!

I was, rather amazingly, prescribed a short series of therapeutic art classes. As is so often the way with me, ornery curmudgeon that I am, I didn’t play by the rules – adopts Saxondale manner – this lone wolf rides to the tune of a different drummer (face-slap!).

My raison-ing was that, given I’m already a trained, even professional (occasionally!) artist, I didn’t need to do the ABC type stuff my group was doing. I just needed a quiet corner in which to pursue already established trajectories. Fortunately I was allowed to do just that.

The net results were this little serious of four mini-abstractions. They began life as an evolution from sketches of a stained glass window. In fact somewhere I’ve got an image I really like, showing how these little artworks evolved. I’ll stick that up here if I can find it!

To those with a bit of art or art history knowledge, some of my influences might be discernible? Perhaps ironically the single greatest influence on my own art isn’t really obvious in these series. That’d be Picasso. More on his influence to follow!

Some of the major influences on this approach, however, are Willem de Kooning, Philip Guston, and to a much lesser extent, some of Brice Marden’s linear stuff. There’s even a bit of Georg Baselitz in there (thanks to the influence of an old – and much missed – pal, Ben Carter). And then there are less obvious folk, like Turner, and even Caspar David Friedrich.

These aren’t the best photos. You can see the shadow of my head on them! It’d be nice to have much better lit and positioned photographs, but these’ll have to do for now!