MEDiA: Toast

I’ve been aware of Matt Berry since seeing him in Garth Marenghi’s Dark Place. Up until now I’ve found his (always exactly the same) character – loud, brashly self-confident, etc. – for example, in The IT Crowd, rather annoying. But somehow, here, with a show that’s all about him, that same boorish self-love works much better.

Indeed, I have to confess I found this, when I binged on the first three or four episodes, very funny and entertaining.

Berry is also a musician, which is a mixed blessing in respect of this series. His theme music for the series – ‘Take My Hand’ – is terrific. But the song interludes embedded in the individual episodes are rather poor. Maybe that’s intentional? But for me it doesn’t quite work. And it makes the series, otherwise quite slick, a bit clunky.

Toast and his nemesis, Ray Purchase.

But all in all, Toast’s ludicrous self-regard helps propel him through various very silly scenarios, in which we can also enjoy numerous other ridiculous ‘luvvies’, admirably. Not an out and out classic. But very funny and enjoyable.

BONUS BALL

This slightly Bond-themed episode may be my favourite of series one. Or maybe not? Like all the episodes, it made me laugh a lot. But it’s also pretty lame. Somehow it builds its own crappiness and lameness into the fabric of the show itself.

One thing that really strikes me, whilst watching this – indeed, whenever I see Matt Berry perform – is what a truly dreadful actor he is. Genuinely. He is always exactly the same. His vocal delivery is always the same, a kind of pompous declamatory tone.

He sounds like he’s doing an impression of a British male actor from the 1940s or ’50s, but he’s forgotten exactly who.

One of the chief threads that runs through the whole series – and indeed all Matt Berry character’s I’ve ever seen – is Toast’s lothario lifestyle. And as a sex-crazed ‘deviated prevert’ myself, I can’t help but warm to this aspect of his delusional self-love. M

Toast enjoys Mrs Ray Purchase.

Mind, he’s not delusional as portrayed here, frequently getting his oats (always dressed in his vest!), usually doggy style! And frequently with the wife of his arch rival, Ray Purchase, another dreadful moustachioed ham.

HEALTH & WELLBEiNG: Gaaah! Insomnia strikes again…

I’m typing this at roughly 2.45 a.m. I think I’ve dozed for about 30 minutes, perhaps? Other than that, I’ve been wide awake all night.

In some ways I don’t mind. What I mean by that is that I’m not in a highly agitated state. But as I know that there will be ‘payback’, there is a dull and muted sense of dread.

And, ironically, my worst nights are often those that precede my most demanding days. So it’s Tuesday night, and I need to be sleeping properly, as Wednesdays are my busiest teaching day.

I feel relatively okay right now. Like I ought to feel during the middle of an active day. But how am I going to feel midway through teaching?

Teresa, meanwhile, sleeps like a champ. Just as she always does. She’s a gold medalist ninja snoozer, whilst I’m an F-grade dunce, sleep wise!

It’s all particularly galling, in a way, as I’ve only recently read Walker’s excellent Why We Sleep, so I’m particularly aware of the need to sleep properly. Hey ho! It is what it is…

MUSiC: Drummers – Jas Kayser

In trying (and failing) to buy a ticket to see Ron Carter, playing his first UK gig in nearly a decade, I discovered Jas Kayser, a young female drummer.

I’ll definitely be checking her and her group out live, as and when I get the opportunity. In the meantime, here’s a rather sweet little interview with her – click here – conducted by her twin brother!

MEDiA: Hong Kong Phooey, 1974

A sudden wave of nostalgia swept over me, recently, in the guise of the theme song from Hanna Barbera’s Hong Kong Phooey theme song.

Recently, well, today, to be precise, we watched almost all of the episodes whilst child-minding for my sister. I actually dozed off for a considerable portion. And then I had to help cook the evening meal. So I didn’t actually see as much as I’d hoped to.

Now, back home, I’m watching from the start again. And it’s really silly! Not amazing, but just kind of fun, especially as a dose of nostalgia.

Scatman Crothers.-

Scatman Crothers’ voice is perfect for Phooey, somehow approximating in vibe to his half-closed eyes when in Penry mode: mellow, relaxed, and winningly self-confident, despite his hopeless incompetence. Blissfully unaware that his triumphs are all accidental, or brought about by Spot, the cat, or other helpful characters.

Penry and Spot.
The hapless Sgt Flint, centre.

Sgt Flint is endearing, as a gruff, dim and bear-like flat footed-copper. And Rosemary? I loved Rosemary way back when. And I find I still love her now! ‘Your lovable lady fuzz’!? Delicious!

Switchboard sweetheart, Rosemary.

The stories are ridiculous. Never was a ‘McGuffin’ less relevant to the enjoyment of a show! It’s all just an excuse to have Phooey (and frequently Spot) goofing about in crazy situations. The charmingly doofus Phooey, with his correspondence course book of Kung Fu up his sleeve, is undoubtedly where the charm lays.

For a cartoon with such a short run, it seemed to hit some kind of nerve, such that it’s remained on screens ever since it was made, way back in ‘74. And I find, that whilst I’m now far older, I still have a soft-spot for this mild mannered janitor/superhero, and his sidekicks, Spot, Flint, and very definitely, Rosemary!

HOME/DiY: More Loft Flooring

Over the least week or so I’ve been chipping away at getting more flooring down, up in the loft, so we can store more stuff up there.

I did a load of work like this about four or five years back. But that floor space quickly grew to be full to o’erflowing! I think the area I originally floored was about 60 sq. feet? Minus the access hatch.

The two areas I’m adding, one either side, are about 40 sq. feet each. So we’ll have about 140 sq. feet when I’m done. I did the western side already. And that’s already getting full!

Just a little bit more to do.

I need to shift a ton of stuff, quite possibly literally, to get the eastern side clear and ready to be laid. It’s grim work up in the loft; there’s about 140 years worth of soot and dust and dirt up there!

When I did the first tranche of work I substituted the fibreglass type insulation for foam boards. I don’t know if that was worth while or not? But fir the remainder I’m recycling the insulation that was there already.

That said, I’ve been getting rid of the oldest (lowest/dirtiest) layers, bagging them up and taking the hideously dusty and dirty stuff to the local dump. I need to run some wiring / lighting and power – up there.

This tie-beam rather gets in the way.

FiLM REViEW: Ted K, 2021

I have to admit I find Ted Kaczynski darkly fascinating. I ought also to qualify that immediately, by making it clear that his lone wolf campaign of murder and mutilation, what he himself viewed as ‘revenge’ against society, was appalling. Obviously!

Sharlto Copley (what a splendid name!), who I first saw in Elysium, and District 9, is superb as the titular Ted K. And this film is very well directed. We can really feel Ted’s isolation and rage.

I’ve read Kaczynski’s manifesto (see this post), and – unlike the ravings of some infamous killers – it’s got a good deal in it that actually makes sense, or rings true. But, like so many critiques of the ills of modern life, whilst there’s much that’s understandable, or even valid, it’s not really cogent as a road map to a better future. Not, that is, unless you share Ted’s Adolf Hitler like levels of Nihilism.

Copley is terrific as Ted.

A quote from said manifesto, used in the film – ‘The aim of The Freedom Club is the complete and permanent destruction of modern society’ – succinctly sums up Ted’s wishes, whilst neatly encapsulating his ‘madness’. The lone wolf wants to be part of something bigger (his ‘Freedom Club’), and yet, as he admits in other writings, he knows his ‘one-man show’ can never achieve such grandiose ends.

This film captures very well his fascinating and tragic mental isolation and unhappiness. There’s a powerfully tragic scene in which, dressed smartly, he hand delivers a letter of complaint to a telecommunications company. In this one moment, we see both the microcosm and macrocosm: his ‘stolen quarters’ – he’s making a complaint about a malfunctioning payphone he regularly uses – mean nothing to the huge faceless corporation that runs the service. They even spurn Ted’s occasional efforts to play the game by their own rules; the refusal of the functionary to pass on his hand-delivered letter epitomising the inhumanity of the system at large; common humanity is sacrificed to the machine.

Ted is vexed by technology.

The telephone calls Ted makes from the malfunctioning phone booth, about which he has complained, are, at least in this film, mostly to his brother, David. David is the guy who would ultimately contact the police, leading to Ted’s arrest. Ted exhibits a schizoid hatred of and dependency upon his family. And he sounds depressingly like a brand of misfit ne’erdowell I’ve known personally (and perhaps even been, to my shame). Indeed, we probably all know or have encountered the type.

Something that strikes me, as I watch this, as a ‘resonant’ truth about the failings of humanity, is how Christians worldwide fail to have true faith in their supposed God’s ability to dispense justice. One might follow a similar line further, expanding the ‘fate’ thread to take in both religious and secular views, and argue that eco-terrorists ought, likewise, to have a little more faith, and just let modern industrial society destroy itself.

The real Ted K, in prison, c. 1999.

But there’s the rub. Ted, like so many of us, frankly, wants his heaven right now. And under the reigning dispensation that ain’t happening. So, as he says early on in the film, it becomes, rather than a righteous crusade^ to improve the world, merely a matter of revenge. And, as he also says, he feels empowered by his acts of revenge.

I think Ted K is a very well done movie. I found it fascinating, and compelling, rather like Kaczynski himself. It raises many questions, whilst maybe answering just a few. And it dramatises an interior mental world very well. There are some bizarre moments – is ‘Becky’ real?* – which, odd as they are, feel appropriate.

All told? Really very good. Well worth watching.

* In the film Becky seems to be an imaginary idealised woman Ted fantasises about. But she might be tenuously based on Becky Garland.

FOOTNOTE

Er… what was this going to say!?

^ The Rampage film series features a fictional American ‘domestic terrorist’, whose externalisation of his own psychosis is justified in the grandiose narcissistic tradition of the righteous crusader, killing the innocent (who they see as bovine docile collaborators, i.e. not innocent) to make a better world.

FiLM REViEW: Coalminer’s Daughter, 1980 / Loretta Lynn, RIP.

I found out, via a pal’s FB post, that Loretta Lynn died today. I’m not a big country music fan, but I did enjoy the movie Coal Miner’s Daughter. And Loretta’s sister, Crystal Gale, recorded One From The Heart, with Tom Waits, which is a sublime album.

So, in memory of Loretta, here’s my review of Coal Miner’s Daughter (originally posted to Amazon UK, some years ago):

Exactly how near the true facts of the Loretta Lynn story this is, I don’t know. For all that some difficult moments are depicted, I suspect it’s still a somewhat sanitised version. But, gol’darn’ it, it makes for a very entertaining and moving viewing experience.

Sissy Spacek is excellent in the lead role – both she and Beverly D’Angelo, who plays Patsy Cline, sing their songs (an album was released alongside the film) – and Tommy Lee Jones, despite shockingly dyed red hair, acquits himself well as her man, known variously as ‘Mooney’ (from a stint running ‘moonshine’), and ‘Doo’, short for Doolittle. Recently deceased drummer for The Band, Levon Helm, plays Lynn’s titular coal-mining father. ‘Ted’.

The real Loretta, plus ‘Doo’ and kids.

Director Michael Apted handles the whole film very well, evoking an America that one suspects is nearly vanished. At one point in the film they receive several telephone message by the means of a neighbour, who has a ‘phone, hollerin’ the news at them from his nearby property. How real all the hillbilly shacks, honky-tonks, pie-auctions, dungarees and dancing, the “coalminin’, moonshinin’ or movin’ on down the line” really are, is hard for me to estimate. But it paints a very evocative and charming picture.

I got to this via Tom Waits and Crystal Gayle, Gayle being Lynn’s sister (the Waits/Gayle collaboration for Coppola’s One From The Heart being an instance of a pretty duff movie paired with a beyond-words-brilliant OST), and the Levon Helm connection.

Even after watching this and loving it, I’m not sure I’ll be getting into Lynn’s music too deeply. But that just shows that this Country & Western star biopic has an appeal beyond Lynn’s fan base. As told here, hers is both an interesting and at times very moving story.

MiSC: Social Darwinism

Charles Darwin gets shoddily treated, in my view, by the whole ‘Social Darwinism’ idea. As a pal of mine likes to point out, it’s really Social Spencerism, anyway: ‘it was Spencer, not Darwin, who gave us the phrase “survival of the fittest,” though Darwin would later use it in his writing.’ And it was Spencer, not Darwin, who used these ideas to support his conservative economic ideology. That said, Herbert Spencer derived the term and his ideas from his reading of Darwin. Suffice to say then, that these are, perhaps, somewhat muddy waters?

But I guess my beef here is twofold. I don’t know that much about Herbert Spencer. I’ve read a lot more by and about Charles Darwin, and what I know of him suggests a subtler and more humane mind; the kind of mind the quote in the picture at the top of this post reflects, aware of and sensitive to moral socio-political issues. Not the ‘spiritual father’ of the ‘perverted science’, as Churchill so memorably and astutely put it, that informs such ideologies as fascism, and the current ‘free-market’ right, as embodied by Trump, Bojo, and now the appalling cypher that is Liz Truss.

Darwin knew the answer to the rhetorical question he posed. And I think it’s long past overdue time to stop attributing fascist ideologies to him.

PS – The Darwin image is a tea-towel, from The Radical Tea Towel Co!

MEDiA: Book Review – Why We Sleep, Robin Walker

At the time I first drafted this review, I was only about a quarter of the way through this book, having just finished Part 1, This Thing Called Sleep.

I was initially a tad underwhelmed. But as I read more, Walker’s enthusiasm for and deep knowledge about sleep won me round. And I really like his very readable unpretentious writing style. The understated eloquence might be part of why this is proving to be a grower.

I myself have had very varied patterns of sleep over the years. And what Walker is saying is both enlightening and salutory. And, rather sadly – a situation Walker frequently laments – our society seems very much out of kilter with our deeply ingrained needs, and evolutionarily embedded behaviours.

This doesn’t surprise me in the least. We can just add sleep to an ever-growing list of things modern life misprizes, mishandles, and indeed downright abuses. And a failure of understanding, of basic comprehension even, is fundamental to this self- or socio-inflicted harm.

Anyway, I’m now returning to and finishing this review having finished the book nigh on two weeks ago. All told it’s a superb book. And I thoroughly enjoyed reading it. It has so much to tell us that we all really ought to know.

And, right at the end, it has a list of ways to improve your own sleep habits. The first and, so Walker says, the most important, is to have a regular routine: go to bed and get up at the same time everyday, even the weekends. Get eight hours sleep every night.

For those of us who suffer difficulties sleeping – my wife is the exact opposite, a champion sleeper! – Walker’s frequent recitations of the damage sleep loss causes is pretty scary. Ironically the kind of anxiety inducing stuff that might well cause further sleepless nights. And our ideas of catching up on sleep are ill-founded. More part of the problem, not the solution.

Walker has some almost evangelical aspirations, regarding how sleep and knowledge of its benefits can improve both individual lives, societies at large, and pretty much the whole world! Sometimes at these moments he comes across, to me at least, as a little out of touch with the harsh realities of modern human life. As a top flight academic, fêted by almost everyone, including academia, big corporations and sporting organisations, he sometimes seems to me to be fooled into thinking out current hyper-capitalist culture is sustainable.

Whilst I love his positivity and enthusiasm, my cynical side says we’re more likely to self-destruct than choose a wiser path, as a species. I don’t believe our current socio-cultural m.o. is sustainable. And Walker’s own mountains of evidence, regarding the global ‘pandemic’ of sleep deprivation, are part of the compelling evidence for this.

Anyway, putting my pessimism aside momentarily, if this book, or at least the information it contains, were to become part of a core-curriculum in education, perhaps modern humanity might stand something a tad better than a snowflake’s chance in hell (the term snowflake here chimes with other albeit different zeitgeist concerns!) of recognising the value of sleep, and restoring it to its rightful place in our lives?

As The Bard has MacBeth say;

… innocent sleep,

Sleep that knits up the ravelled sleeve of care,

The death of each day’s life, sore labour’s bath,

Balm of hurt minds, great nature’s second course,

Chief nourisher in life’s feast.