St John’s in Parson’s Drive had a little notice up in the porch, recommending to the interested visitor the Guyhirn Chapel of Ease, as a ‘typical Protestant’ place of worship, of its kind.
Drooping boughs.
I was arrested by this grace stone sculpture, as I entered the chapel grounds. Somebody, whose name I didn’t bother to check, is very much at their ease, six feet under.
Looking back to Flo’.
The chapel is set in a very easeful spot, ‘twixt the high bank of (?), playing fields and scattered housing.
After this, I had a yen to quest after some second hand Robert Louis Stevenson books. I thought the little used bookshop at Peckover House might be just the place. It wasn’t, book wise. But it was in other respects.
In the end I came away with these, instead:
Jacobi’s Cadfael, on cassette!
If we can find a cassette player, these will be fun to listen to!
Ron Johnson’s arm(bass), Buddy, Carlos, and either Richard Clark or Greg Errico.
I was listening to this album in the car whilst on my delivery rounds recently. And then the John McLaughlin Archives, on FB, posted about John’s collaborating with Buddy.
Carlos, in the zone.
I piped up with a comment about this Live, ‘72 album, and the cover of John’s ‘Marbles’, and boom, they (JM Archives) came back with a post of a gallery of images, from which these are taken.
A glimpse of Hadley Caliman, behind Carlos.
Most of the photos are black and white. And many are not too great quality wise. It’s also a pity – no offence to the maestro! – that there’s so many of Carlos and so few of the other players. But overall it’s still a wonderful cache of images.
The audience/venue, seen from Coke Escovedo’s timbales.
This is my kind of match. I’m typing this as they play set 19, at 9-9. They’ve been trading blows, frame for frame. Both playing brilliantly. Great to watch.
The first bit of a breakaway?
A bit later… and all of a sudden, Kieran has got two frames ahead. The first time in the match either player has done so.
Well… Kieran went on a proper run. And poor ol’ Dave had no run of the ball at all. In fact, astonishingly, Gilbert’s pot success percentage remained higher than Kieran’s!
Gilbert claws back the final frame, in style.
As the commentators, John Parrot and Shaun Murphy, noted, Dave showed immense strength of character, after a very small dip in his overall form, some pretty ugly bad luck – oh, and Kieran playing rather well – stopped the even trading of frames.
But 14-10 is a heck of a lot better than 15-9. Personally I hope Dave takes it to a decider. Indeed, I’d like him to win. But as long as it goes all the way… may the best man, etc.
I took the above photograph yesterday, whilst on my delivery rounds. I thought, ‘Wow, how beautiful!’ When I saw the animals (horses, that is) and flowers.
I initially drove right past. But I thought, ‘No, Seb, take time and enjoy the beauty that’s all around you.’ So I parked up, and took the two following pics:
Lovely Georgian-era property in nice expansive grounds.Much the same pic as at the top of the post.*
The reason I specify horses, re animals, above, is that if you look carefully at the top pic, you’ll see two humanoids, at far right. I’m assuming now, after a ‘chat’ with the younger of the two, that they might be father and son?
This uncouth hayseed advised me in no uncertain terms to go forth and multiply, and suchlike amicable exhortations. I attempted calm reasoning, to no avail. What a prize cunt!
* Only without the complete arsehole visible in it.
LATER THE SAME DAY…
Once abed, I found that my agitated mind kept returning to this unpleasant encounter, preventing rest, let alone sleep. I abandoned the snooker (Bingham vs Jak Jones), and even resorting to YT rain vids didn’t do the trick.
Nice dual Folio edition.
So eventually I gave up trying to sleep, picked this handsome Folio edition off the bookshelves, and set off down the rabbit hole, with Alice.
Slightly misted camera lens?
Not only is Lewis Carroll’s writing utterly brilliant. The complimentary genius level artwork by John Tenniel redoubles the magic.
Ace writing complemented by superlative art.
I read about half the book. Managed a few hours sleep. Then had to get up to pee.
Good ol’ Father William!
Another dose – I almost finished it – brought on a second and fuller nights repose. Thankyou, Carroll and Tenniel!
Well, well, well! Three Holes*… etc. (as my Pa was/is fond of saying).
* Also a local place name!
I had an unpleasant experience with a member of the Hillbilly class of these Flatland Fens, earlier today. Left me literally brooding on murderous thoughts. Not nice!
Anyway, shortly thereafter, I passed St John’s, Parson’s Drove. I had one last delivery to make. So I made it, thereby finishing my shift, and came back to the church.
This little photo essay is the result.
It also occurred to me, even as I passed the church, that if I stopped there for a spell, and took my usual brace o’ snaps, wondered around outside, and maybe even looked inside, if poss’, it might mellow my troubled angry soul.
First off, it’s a glorious sunny day. Which made photographing the forget-me-not strewn (so apt!) graveyard pure bliss.
Beautiful Old Rectory.Gorgeous tulips, at The Old Rectory.
The church, like so many nowadays, is locked. But a short walk across the road, and a lady living at The Old Rectory (itself utterly delightful) has the key. And what a key!
That’s what I call a key!
Inside the church it’s quite austere, and fairly bare of Popish ornament. But, like so many Parish churches, it still manages to be both magnificent and yet calming. Grand and yet homely.
The font.The tower.Nice tower roof details.Proper fortress type doors.Nice niche.Bricked up whitewashed window.Looking down the nave.Beautiful roof.Mammon in Holy Places!?Seating for the faithful.Nicely aged brickwork.The altar.
Has God vacated the premises. Or is it instead we who are now absent? My love of old churches grows, the more I visit. But how can they be maintained without the religion that created them?
Old pump-organ.Fab’ floor.View from the altar.Pulpit.Pretty windows.Nice seating area.What windows!Love the lopsided window!Fab old table.Wonky window.So picturesque.Proper Victorian paving.More lovely roof timbers.Fab old table.Lovely carving.Legs eleven.Through the Gothic Window…Worn pavement.Back to the graveyard…Still stunning.Returning the key.View from Rectory to Church.Lovely little house…Apple Crumble Cottage!
I kind of get ahead of myself, in the gallery above. But rather than break up what I’ve already done, here is another chunk.
And then, around the back…
What a beast of a building.Back door.Fading faces…… beard disappears.Bricked window.Front door.Another bricked window.Tower pano’.Back to the graveyard.Many stones.Crazy skull!Bricked up…… windows.Beautiful; life n’ death.
In a strange and rather selfish way, this may be the perfect time for someone of my bent to enjoy churches. If they were thronged with the faithful, it’s ruin it all, for me. And even if they’re used fir secular ends, once even another person intrudes in the kind of solitary reverie I’m enjoying right now, the spell is broken.
Started watching the first disc, and it’s good dumb fun. Episode one, No Sax, Please, We’re Egyptian, starts out suitably sillily. I’m hoping watching this set will help with my mood.
Duckula the artist, in Paris.
Vampire Vacation follows, and the quazy quackiness continues. His sidekicks Igor and Nanny tag along for the ride…
The Hunchbudgie of NotreDame!
Then I fell asleep for a spell! When I woke up Duckula and co. are in London, doing a Sherlock Holmes type schtick. What fun!
John Cleese guests in Basil Fawlty mode!
Most of the pics I’ve chosen for this post are from a later session of indulging in this rather odd diversion. it’s nowt spectacular (or should that be Ducktacula?). But it is silly and relaxing fun.
I’ve been watching this match from about the time they reached 6-6. And it’s been excellent. I’ve watched a fair bit of the tournament, and not enjoyed much of it as much as I usually do.
‘Beefy’ Bingham.
I saw Welsh young gun Jak Jones confound people’s expectations by beating a confused and out of form Judd Trump earlier today. That was an interesting match.
But this has been much better. With Stuart ‘Beefy’ Bingham, a player I’m not always too keen on, playing incredibly well. The two players trading punches, from 6-6 to 10-10, like a pair of prize fighters.
Ronnie stopped play whilst folk re-entered the auditorium.
Then, during frame eleven, there was a characteristic bit of Ronnie-ness, as O’Sullivan stopped the game, whilst some people re-entered the auditorium. This grew into an awkward and protracted episode, before play was eventually resumed.
Rishi Sunak cracks up, as Steve Davis calls the affair ‘Door-Gate’!
As I type this, Stuart Bingham has just beaten Ronnie O’Sullivan, 13-10. What a great match that was! And we have ‘Door-gate’ as well, to remember it by!
Bingham sinks the pink, for victory.
So, no Trump vs O’Sullivan semi-final. A match many thought might be on the cards.
I learned of this via Michael Portillo on Great Coastal Railway Journeys. We must go.
And, to my great annoyance, I’ve just realised that we missed a Topping Books talk, Monday evening, on the Roman Army: Legion, by Richard Adby.
Ballus! Missed this…
Called Gariannonum, it’s thought to have possibly been a cavalry fort. And it’s one of the best preserved Roman remains in the UK. Another destination for our future travels.
After finishing my first shift of the day, yesterday, I went back to Sawtry, where I’d been delivering earlier. I’d planned to stop in a tea room. But it was shut.
Superb.
But prior to discovering this, I found a shop, near where I eventually managed to park. And in said charity shop I bought Robert Louis Stevenson’s Travels With A Donkey, for thirty pence!
So succinct, pithy, and true. Alarmingly so!
In the end I didn’t start reading this new and fab little book til much later in the day. Indeed, after completing a second shift. This second shift I’d felt obliged to book/do, to fund the recent acquisition of William Blake, The Complete Illuminated Books.
‘…moved me to a strange exhilaration.’ Brilliant.Stevenson, in 1893, a year before he died!
Bob died very suddenly aged just 44, from a heart-attack, on the Samoan Isles, where he’s buried. Leaving behind a fantastic literary legacy, including such legendary titles as Treasure Island, Kidnapped, and Dr Jekyll & My Hyde, amongst many others.
Brilliant!
The above passage, like a lot of Stevenson’s writing, is stuffed to bursting with insight, and quotable words: ‘exulting in my solitude’! The bit about ‘one of those truths…’ is fab, with the mystic’s appeal to instinctual knowledge or insight over the dusty pronouncements of the learnèd.
And then the pure gold of the passage ‘there is a fellowship more quiet even than solitude… rightly understood, is solitude made perfect…’ Bob, I love ya’!
Amen, brother Bob.
Travels With A Donkey was written as the author made his titular trip through The Cevennes, in France. He was ministering to his heartache, his lady of that time having left him to return to the U.S.
Every day he’s studiously write up what he’d experienced in the last 24 hours, whether he was at an inn, or in ‘God’s Hotel’, under the stars. And what he writes is wonderfully enchanting.
Again, the theme of head vs heart knowledge.
He starts out by buying Modestine, the she-ass of the book’s title. His relationship with her is fascinating. Evolving from embarrassed naivety to experienced disdain pretty rapidly. But all the while retaining a compassionate humanity towards his beast of burden.
As well as narrating what the landscapes, weather and people are like, as he travels, he also: indulges in philosophical speculation; tales a lot about religion/God, etc; and even gives us some local history, most notably regarding the revolt of The Camisards, 180 years prior to his travels.
Great words.
He stays in a Catholic retreat at one point. And several simple country inns. But he seems happiest on those nights when sleeping outdoors, in a kind of proto-bobby-bag, manufactured at the start of the trip to his own specifications.
He comes over as a very affable if slightly patronisingly sort. To his great credit, he is publicly humble, whilst reserving his ‘loftier’ judgements for the ‘privacy’ of his journaling. Which then, ironically, perhaps, he publishes!
As the little photo extracts that pepper this post show, he is eminently quotable. And eloquently and succinctly expresses things in a straightforward way. A way that has traversed the passage of intervening time very well.
Love this!
When, at journeys end, he parts with Modestine, it’s quite moving, in an unexpected and humble way. Indeed, it moved me to compose a poem on the subject. I’ll most likely share that elsewhere, at another time. But one word on it here; unlike most of my poems, which are entirely (so far as I know) my own words, Farewell, Modestine uses a lot of RLS, for brickwork, with me adding only the necessary cement.
As with much of the best writing, reading his promotes a desire to read more by the author. Having read Treasure Island and Kidnapped as a child, methinks my next RLS port of call ought to be Dr Jeckyll & Mr Hyde.